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Which Bible is the REAL Word of God?

Many Christians have stopped bringing their Bibles to church. With multiple versions of "The Word" being quoted from the pulpit, it's too confusing trying to follow along in your own Bible.
Why has all this confusion hit the Lord's people? Since our life, faith, hope, growth, and trust is found in the Word of God, we cannot afford to be confused on this issue.
In plain, everyday language, Barry Burton explains the difference between the King James Bible and modern translations. Every Christian needs to know which Bible can be trusted . . . and why!

• Sales Rank: #372381 in Books
• Brand: Chick Pub
• Published on: 1983-06-01
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x 5.25" w x .50" l, .25 pounds
• Binding: Paperback
• 95 pages

Features

• Great product!

Review
Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Written to High Schoolers, this book is understandable to anyone who can read. The graphics by Chick illustrators carries the meaning along with aplomb. Not detailed, but for its size and amount of text, it is quite comprehensive in scope. Everyone's kid and every adult who does not like to read text without pictures will love this. --David Daniels

Most helpful customer reviews

0 of 1 people found the following review helpful.
Five Stars
By tex
Everyone should read this!

5 of 5 people found the following review helpful.
A BRIEF “POPULAR-LEVEL” PRESENTATION DEFENSE OF THE KJV, AND REJECTION OF MODERN TRANSLATIONS
By Steven H Propp
Author Barry Burton wrote in the Introduction to this 1983 book, “The issue of the modern translations is controversial, even in fundamental circles. The issue is NOT one of inspiration, of course. We believe in the inspiration of the Scripture… The issue is one of preservation. Did God Preserve His Word perfect for us today, or was it only perfect ‘in the original autographs’? If God has not preserved His Word perfect, but has allowed some errors, then, since we don’t have the ‘original autographs,’ we must assume that we have been teaching and preaching out of a book that is not completely reliable. If we believe that the Bible is still perfect, then we must still answer the question, ‘WHICH Bible is the one that God has preserved for us?’ Since the modern translations are different from the King James Bible, not just in wording but in doctrine, and since two conflicting books cannot BOTH be perfect, we must make a choice. We believe that the Bible (KJV) is the Word of God, and we also believe that God has preserved it perfect for us today.”

He quotes the Good News Bible’s translation of Isaiah 7:145 as “young woman” rather than “virgin,” and says, “When you deny the virgin birth of Christ… you are saying that Christ was an illegitimate child, since Mary was not married when He was conceived… you are saying that Mary was a fornicator.. you are calling God a LIAR in Matthew 1:22-23… you are saying that Christ was a sinner, because he would have had to have a physical father.” (Pg. 38)

He cites the Living Bible’s paraphrase of 1 Sam 20:30 [using “SOB”], “God’s Word doesn’t use dirty slang! Is that what you want your children to read? Don’t use the flimsy excuse that it is an ‘adult’ Bible. No one should read filthy language!” (Pg. 43) [It should be noted that the “SOB” reference in the LB’s FOOTNOTE, not the translation itself.] Further quoting the Living Bible’s paraphrase of Zech 13:6 [“‘I got into a brawl at the home of a friend!”], and noting that Jesus said in Mk 14:27 that this was a prophecy of him, he comments, “Did Christ get into a drunken brawl? This is blasphemy folks!!!” (Pg. 45)

He asserts, “The Vaticanus and Siniaticus manuscripts are the oldest, but… they are NOT the best manuscripts!!!!! That’s where the modern translators went wrong!!! They foolishly accepted the Vaticanus and Siniaticus simply because they were old. They did not attempt to find out WHY they were so vastly different from the Greek text that real Christians have KNOWN to be the infallible Word of God… Don’t fall for the ‘oldest are the best’ line! The oldest are NOT the best! FOR EXAMPLE: The Vaticanus and Siniaticus both leave out the last 12 verses of Mark, concerning the resurrection of Christ. BUT… there is not one other manuscript, either uncial or cursive that leave out this passage.” (Pg. 62)

After noting that all modern translations are copyrighted, he comments, “Is the King James Bible copyrighted???? NO!!! WHY???? You cannot copyright God’s Word!!! You can only copyright man’s words!!!” (Pg. 79) [Of course, the KJV was published before copyright law existed.]

On the “plus” side, this is a forcefully-argued statement (complete with “cartoon” illustrations by publisher Jack Chick), that will appeal to many “KJV Only” Christians. On the “negative” side, it is hardly a “scholarly” presentation, and readers seeking much more in-depth treatments might consult David Otis Fuller’s Which Bible?, Counterfeit or Genuine?, and True or False?, as well as Peter Ruckman’s The Christian's Handbook of Manuscript Evidence, or Benjamin Wilkinson’s Our Authorized Bible: Vindicated. Or those wanting the “other side” can read James White’s The King James Only Controversy: Can You Trust Modern Translations?.

0 of 1 people found the following review helpful.
BIND TO PURITY, THE TRUTH, LIGHT & LIFE OF CHRIST
By Pure light
Pure light, pure truth, add or take away, any compromise and ye shall be accursed. If you want the right type of light in your person.If you want Christ in you, you will bind to purity. All other versions are bed time stories of Jesus - WITHOUT THE BREATH OF GOD THE SPIRIT OF CHRIST. CHRIST WAS AND IS PURE. BROTHER IS NOT FRIEND AND GOD IS NOT HE. Where the words are, they stay, or lose the spirit of God and read a spiritless story book of Jesus. They key to salvation is the oil inj your lamp. Not to say you are saved. Anyone can say I am saved. But say I am born again. Because when you are born again, the spirit dwells in you. Only then is the key to heaven in you. John Joannou. Spirit is pure. Light is pure, Christ is pure. Life is pure.

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Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box gives readers the practical tools for accomplishing both of these tasks while highlighting the artistry of the creative process. While much of the information presented in Mixing and Mastering in the Box is applicable to those using analog mixing gear, or a hybrid of digital and analog tools, the book focuses directly on working completely within the Digital Audio Workstation (DAW). Author Steve Savage lets readers in on such topics as the secrets of collaboration and using EQ, compression, delay, reverb, and brickwall limiting to improve the sound of records, each topic illustrated with a myriad of concrete examples.

Mixing and Mastering in the Box is the ultimate reference manual for the home recordist and the perfect basic to intermediate text for any DAW (Digital Audio Workstation) training class in mixing or mastering. The book is also ideal for readers who handle their own mixing and mastering or who wish - or are professionally required - to be better informed when collaborating on mixes and masters.

• Sales Rank: #304725 in Books
• Published on: 2014-09-01
• Released on: 2014-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.00" w x 10.90" l, .0 pounds
• Binding: Paperback
• 320 pages

Review

"Steve Savage is not only a superb music producer, mixer and mastering engineer, but also an excellent educator and communicator. His books manage to cover the most complex aspects of music production in a manner that is engaging and clear, bringing expert insight to both beginners and advanced music makers. Steve manages to find a perfect blend between discussing the creative and technical aspects of music technology, whilst keeping things concise, relevant and up to date. Everyone interested in creating and producing music can learn something from Steve Savage!" --Dr. Rob Toulson, Music Producer and Director of the Cultures of the Digital Economy Research Institute at Anglia Ruskin University, Cambridge UK

"Steve and I have worked on countless records together; he's mixed and mastered most of the records I've produced, including my own. He also taught me a lot about mixing and mastering - he's one of those rare guys who works at a very high level but can also explain what it is he's doing and why. If you want to know more about making your recorded music sound better, get this book!" --Bonnie Hayes, Chair of Songwriting, Berklee College of Music

About the Author

An active producer, recording engineer, and music technology instructor, Steve Savage has been the primary engineer on seven Grammy-nominated CDs. He is the author of numerous books, including The Art of Digital Audio Recording: A Practical Guide for Home and Studio (OUP, 2011) and Bytes & Backbeats: Repurposing Audio in the Digital Age (Michigan, 2011).

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1 of 1 people found the following review helpful.
Four Stars
By David J. Adams
Very comprehensive book for anyone beginning to learn Mixing and Mastering

0 of 0 people found the following review helpful.
Good book, has good information and tips on mixing ...
By carlos cortez
Good book, has good information and tips on mixing and mastering. As a self taught person in the subject of mixing and mastering I felt at times the book is more for intermedium to more advanced levels but I was still able to make sense of the information provided. I recommend the book.

0 of 0 people found the following review helpful.
Very useful and practical information in this book
By John Gergen
This is definitely a worthwhile read for any novice to intermediate mixer, and I am sure everyone could learn something from it. Very useful and practical information in this book.

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[R749.Ebook] Download PDF A New History of Animation, by Maureen Furniss

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A brand-new, comprehensive history of world animation
A New History of Animation guides readers through the history animation from around the world. Topics covered include: optical toys and magic lanterns; early cinema, magic, and the foundations of the animation industry; the relationship of comics to early animation; animation as a modern art in 1920s Europe; the emergence of the major US studios; animation style at Disney, Fleischer, and Warner Bros., types of comedy; animation during wartime; stop-motion; working directly on film; youth audiences and animation in the 1960s; early television animation; advertising; games; animation from Eastern Europe; the Disney renaissance; creator driven television series; the development of college programs; short films and festivals; the rise of computer-generated animation;  franchising; Hayao Miyazaki and others in the Japanese animation industry; international development in the UK, Brazil, and numerous other countries; and animation in the art world, including installations and projection mapping. 

Examples go beyond the most commonly discussed examples of animation in an effort to represent work from around the world and in a variety of contexts, including many works by women in the field. The work discussed ranges from character animation to abstract and everything in between. It is based on lectures given by the author in her year-long history course at California Institute of the Arts, where she is Program Director of Experimental Animation.

This book is written for all readers, from those who are fans of animation to college students and researchers looking for a comprehensive historical account of the field. The author's writing style is easy to read, with clear explanations of each studio, film, and artist included in this broad-based book, suitable for casual reading or as a college textbook. It contains 460 color illustrations, ranging from studio productions to independently produces shorts, visual effects, paintings, studio documentation, and more. Various side articles provide details that explain how animation developed within social, industrial, historical, and cultural contexts.

• Sales Rank: #378450 in Books
• Published on: 2016-09-15
• Released on: 2016-09-29
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x 1.30" w x 8.60" l, .0 pounds
• Binding: Paperback
• 464 pages

About the Author
Maureen Furniss, PhD is an animation historian at California Institute of the Arts, where she is Program Director of Experimental Animation. She is the founding editor of Animation Journal and the author of Art in Motion: Animation Aesthetics, The Animation Bible, and A New History of Animation. She is a founding member and past chairman of the board of the Society for Animation Studies. She has received an award for her contributions to the field of animation from the Hollywood chapter of the International Animated Film Society, ASIFA, and Variety magazine.

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Experimental Psychology (8th, Eighth Edition) - By Kantowitz, Roediger III, & Elmes

• Sales Rank: #1455988 in Books
• Published on: 2004
• Binding: Perfect Paperback

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0 of 0 people found the following review helpful.
Great purchase.
By Kristina G.
Great book. Looks like new. I bought used for a great price, but there was hardly any signs of precious use. Only a few pages have notes in them, but it doesn't bother me at all.

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Five Stars
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Good book, It was used, but in a pretty good condition. I used it during all semester.

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Five Stars
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• Sales Rank: #200136 in Books
• Published on: 2015-11-20
• Original language: English
• Dimensions: 11.00" h x 1.32" w x 8.50" l,
• Binding: Paperback
• 586 pages

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0 of 0 people found the following review helpful.
Practical problems and examples, Pragmatic programming practices in Q and Pure Pleasure of Reading
By Waldemar Razik
After reading several tutorials and materials on Q programming language and Kdb+ system, I think that q For Mortals Version 3: An Introduction to q Programming is most probably the best way to dive into the world of Kdb+ and Q programming.

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The book was thought of as a very practical tutorial, so downloading a free copy of Kdb+ from the kx.com website, would help a reader to grasp the true power of Q.

In summary, q For Mortals Version 3: An Introduction to q Programming is a mix of practical problems and solutions, pragmatic Q programming practices and flavored with a perfect sense of humor of a Q-God, Jeffry A. Borror.

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This book offers excellent resource to learn and practice q for beginners with ...
By Krish
If you are looking to jump start your learning about q, this is the book for you. This book offers excellent resource to learn and practice q for beginners with no prior knowledge and people with some experience working in q.

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